delivered her remarks on Feb. 26, 2026, in the university’s annual Lauren Dunne Astley Memorial Lecture, named in memory of a woman murdered in 2011 by an ex-boyfriend weeks before she was to enroll at �þ��� with the Class of 2015.

Miller-Idriss’s remarks to more than 100 audience members inside the McBride Gathering Space of the Numen Lumen Pavilion drew from her latest book, to describe what she called a persistent blind spot in how the United States defines and fights domestic threats.

For years, she said, national security institutions created a “false separation” between domestic and intimate partner violence, typically handled by local law enforcement and the Justice Department, and political violence treated as a homeland security problem.

That divide obscures a foundational pattern, she said: “Misogyny is a constant.”

Miller-Idriss, a professor in the School of Public Affairs and School of Education at American University where she directs the , uses feminist philosopher Kate Manne’s definition of misogyny as the “law enforcement arm of patriarchy.” That arm pressures women, LGBTQ people and men who don’t conform to dominant ideals of masculinity to “get back in your place.”

That policing, she argued, can show up in everyday life and online culture and then be “channeled into something much more violent.”

Miller-Idriss cited research showing a strong overlap between mass violence and histories of domestic abuse. She told the audience that 60 percent of mass violent attackers in the United States have a documented criminal history of domestic or intimate partner violence, noting that such violence is often underreported and that many datasets do not capture stalking, harassment or online threats.

She also described how investigators, journalists and policymakers often categorize attacks only by the immediate target — a school, a workplace, a racial or religious community — and miss gender-based motivations that can help predict escalation. In some cases, she said, perpetrators circulate inside online subcultures that glorify punishment of women and idolize previous attackers, building shared language, memes and “success strategies” around domination.

Those dynamics, she said, are amplified by algorithm-driven platforms where teens can be served misogynistic content without seeking it out. Citing work by the , she said a “sock puppet” account designed to mimic a teenage boy began encountering such material within minutes after searching for gender-coded topics like sports or fitness.

During a question-and-answer session, one audience member asked about a recent video described as showing male athletes laughing as a teammate made a sexual joke. Miller-Idriss called it an example of how easily people “don’t stand up,” noting that bystanders often tell themselves they did nothing wrong because they weren’t the person who made the joke.

But silence still sends a message, she said, especially in environments shaped by peer pressure.

Asked what can change the online ecosystem, Miller-Idriss said she supports social media regulation but doubts sweeping changes are likely in the U.S. under the current legal framework, pointing to the protections platforms receive as content hosts. In the absence of regulation, she advocated for �þ��� young people and caregivers how online actors profit from outrage, misinformation and gender grievance narratives.

Despite frustration with U.S. inaction, Miller-Idriss expressed cautious optimism, citing the response to her work from educators, students and men’s wellness groups seeking healthier models of masculinity.

“Young people are hungry to have these conversations,” she said.

In attendance at the lecture was Malcolm Astley, Lauren’s father, who delivered brief remarks where he thanked the program’s organizers. Astley also shared details about his daughter’s death and her ex-boyfriend’s behavior leading up to it before thanking the audience for the courage and honesty in confronting the issue of intimate partner violence.

Such violence is not isolated, he said.  As many as three girls and women are similarly killed each day in the United States. Nearly one in 10 teens experience physical abuse within intimate partner relationships.

“I hope we can gain important and effective insights this afternoon on this vital matter of building self respect in ourselves, in others, and in future generations, to provide care and dismantle false drives to gain self worth by creating power over others,” Astley said. “Thank you for taking on the challenges together and building a strong, caring community.”

About the Lecture Series

The Lauren Dunne Astley Memorial Lecture is supported through a gift from the Lauren Dunne Astley Memorial Fund, started by Lauren’s parents, Malcolm Astley and Mary Dunne, to educate and inform the �þ��� community about mutually effective relationships, emphasizing preventing boys’ and men’s violence against girls and women and other boys and men.

Astley was to have been a member of the Class of 2015. In July 2011, she was murdered by her former boyfriend, who was sentenced to life in prison for his crime. Directed by Elon’s Women’s, Gender, and Sexualities Studies program in partnership with other university offices and programs, the Lauren Dunne Astley Memorial Lecture features speakers, workshops, or any educational program formats that speak to the mission of the gift.

Amy L. Allocco, professor of religious studies and director of the Multifaith Scholars program at �þ���, has published a new article in the International Journal of Hindu Studies examining how ritual practices in Tamil-speaking South India engage with alcohol abuse and suicide and serve as a site for a gendered ethic of refusal. The article, “ appeared in a recent special issue focused on Hindu narratives and practices in the contemporary world, guest edited by Tracy Pintchman (Loyola University Chicago).

Drawing on long-term ethnographic fieldwork in Tamil Nadu, Allocco analyzes Hindu rituals that invite deceased women to return as protective family deities called pūvāṭaikkāris. Although these rituals were traditionally reserved for auspicious wives who died “good” deaths, in recent years, women who died via suicide have also featured in these rites, particularly in response to their husbands’ alcohol abuse. Through close attention to ritual dialogue and performance, the article shows how these ceremonies create space for confronting gendered suffering and social injustice, particularly the effects of male alcoholism on women’s lives. Allocco argues that these ritual encounters allow both living and deceased women to voice grievances, demand accountability, and articulate forms of ethical protest. In doing so, the rituals illuminate broader social realities in contemporary India, where suicide rates have risen sharply and debates over alcohol policy remain politically charged.

Community Conversations & Civic Engagement

Deliberative Dialogue – America’s 250: What’s Next America?

Monday, Feb. 23, 4:30 p.m., Lakeside 212

As America marks its 250th year, this dialogue invites reflection on our shared past and the opportunity for diverse voices to share space and ideas to develop a collective vision for the next 250. Sponsored by the Kernodle Center for Civic Life and Political Engagement Work Group

Better Together: Breaking Bread, Building Bridges

Feb. 24 – May 5, every other Tuesday, 12:30-1:45 p.m.

Join us at Better Together this spring for connection and conversation. This time together invites us to live fully in the present and reflect on what makes this moment meaningful. Share stories, explore diverse perspectives, and build community. .

Dr. Habiba Sarabi: Education Rights of Afghan Women

Tuesday, Feb. 24, 4:30-5:30 p.m., Alumni Gym

Join a conversation with Dr. Habiba Sarabi on the global impact of Afghanistan’s ban on women’s education and the fight for educational rights and gender equality. Dr. Sarabi, an Afghan politician, women’s rights activist, and medical doctor made history as the first woman to be appointed a provincial governor in Afghanistan, leading Bamyan Province. She previously served as Minister of Women’s Affairs and Minister of Culture and Education, where she focused on expanding education, protecting the environment and advancing the rights of women.

State of the Union Address Watch Party

Tuesday, Feb. 24, 8-10:30 p.m., Moseley 105

Join us for pizza and a live viewing of President Trump’s first State of the Union address of his second term. Come watch, discuss and stay informed. Sponsored by Elon Votes!

Love Your Body, Berry Much

Wednesday, Feb. 25, 11:30 a.m. – 1:30 p.m., Lakeside Entrance

Stop by for coconut-lime strawberries and a strawberry mocktail, courtesy of Elon Dining, while also learning tips for mindful eating. Swing through, grab a treat and discover ways to build healthier habits. Visit the for more information.

Cynthia Miller-Idriss – “Man Up: Understanding Misogyny to Prevent Extremism

Lauren Dunne Astley Memorial Lecture

Thursday, Feb. 26, 4:30 p.m., Numen Lumen Pavilion, McBride Gathering Space

Extremism expert Cynthia Miller-Idriss examines how misogyny – online and off – fuels the rise in far-right and mass violence, and offers strategies for interruption and prevention rooted in everyday life. The Lauren Dunne Astley Memorial Lecture honors Lauren, who was set to join Elon’s Class of 2015 before her murder by a former boyfriend in July 2011. Established in her memory, the fund educates the Elon community on healthy relationships and building a culture free from violence. Visit the Spring Cultural Calendar for more information about upcoming events this semester.

Adventure Time with Elon Outdoors!

Adventures in Leadership Summer Staff Positions Available

Applications are now open for summer Adventures in Leadership staff positions, where you’ll guide incoming first-year students through exciting outdoor experiences. Earn potential internship credit and build leadership skills. Apply today on the Elon Job Network!

Elon Challenge

The Elon Challenge is a great way to help classes, teams, organizations, corporations or cohorts grow through building authentic relationships, learning how to manage resources, developing creative thinking, and applying knowledge in new ways. Visit the Elon Challenge website to review the options, gather your group, and complete the interest form to schedule a customized, no-cost experience.

Last Chance to Become an Orientation Leader

Application Deadline is Friday, Feb. 27

The Orientation Leader application is still live. As an OL, you are an integral part of the orientation process. You will play a pivotal role in the transition of all the new students to Elon, serving as a guide and mentor to new students throughout their transition. by this Friday, Feb. 27.

All programs in the series “Abolition as Presence in Higher Education and Beyond” are free and open to the public.

Tuesday, Nov. 4

A “snack-and-learn” on mandated reporting will feature investigator and strategist Margaux Lander of at 12:30 p.m. in Lindner Hall 206. The discussion aims to understand the current models of mandated reporting with Emancipate NC, an organization that supports people as they free themselves from mass incarceration and structural discrimination. Lander will share strategies to navigate the mandated reporting system while reducing harm and supporting families.

Wednesday, Nov. 12

The series concludes with the annual Reynolds Lecture on Political Theologies of Criminalization, Political Spiritualities of Abolition at 6:30 p.m. in the McBride Gathering Space featuring a conversation with author Andrew Krinks on the religion of criminalization and the religion of abolition from his book “White Property, Black Trespass.”

Assistant Professor Maria Mejia, who is currently �þ��� a philosophy senior seminar on abolition, helped organize the 2025 series with Assistant Professor Archie Crowley in the Department of English and Assistant Professor Amanda Kleintop in the Department of History and Geography.

“Abolition does not just mean getting rid of harmful systems. It also means building lifegiving practices, structures, and communities that help us flourish while reducing and transforming harm,” Mejia said. “We hope this series will nourish connections between the Elon community and abolitionist organizers through which we can redefine safety and foster well-bring for all.”

The series is sponsored by the Elon Fund for Excellence, Turner Theatre, the Division of Inclusive Excellence, Elon College, the College of Arts and Sciences Dean’s Office, the Title IX Office, and the departments of English, philosophy, and public health, as well as the Women’s and Gender Studies and American Studies programs, the Center for the Study of Religion, Culture & Society, and the Gender & LGBTQIA Center.

Previous activities in the fall series included a “snack-and-learn” led by Assistant Professor Amanda Kleintop; a session titled “Thinking Like an Abolitionist to End Sexual Violence in Higher Education” by visiting scholars Chris Linder and Nadeeka Karunaratne; and a documentary screening of “One Million Experiments” followed by a panel discussion with directors Daniel Kisslinger and Damon Williams of Respair Production & Media, along with local organizers Mona Evans of Benevolence Farms, Amanda Wallace of Operation Stop CPS, and Associate Professor Stephanie Baker.

Now, �þ���’s Department of English, History and Music, and Women’s, Gender, & Sexualities program is inviting the community to “Celebrating Jane Austen and Virginia Woolf: An Anniversary Symposium” from Nov. 4-6 to commemorate the 250th anniversary of Austen’s birth and the 100th anniversary of Woolf’s “Mrs. Dalloway”.

Austen’s novels explore the moral, material and emotional lives of women navigating the constraints of the late 18th and early 19th centuries’ marriage market.

“In spite of her reputation as a charming romance writer, Jane Austen is not as polite, kind or innocent as sometimes advertised,” said Professor Rosemary Haskell. “Letters reveal a sharper side. In a letter to her sister Cassandra, for example, Austen writes, ‘Mrs. Hall, of Sherborne, was brought to bed yesterday of a dead child, some weeks before she expected, owing to a fright. I suppose she happened unawares to look at her husband.’”

Woolf’s “Mrs. Dalloway” follows upper-class Clarissa Dalloway through a single day in 1920s London as she plans a party that will bring together friends and former lovers, only to be overshadowed by the tragedy of a World War I veteran’s suicide.

“Virginia Woolf explored the lives of women in both fiction and nonfiction,” Haskell said. “Her 1929 essay ‘A Room of One’s Own’ argues women need both the space, the time and the money to be artists. As Woolf speculates, ‘What would have happened had Shakespeare had a wonderfully gifted sister, called Judith, let us say?’”

The symposium will feature music, student poster presentations, lectures and a film screening.

Tuesday, Nov. 4

Who Do You Play For? Music and Meaning in Jane Austen

Associate Professor of Music Douglas Jurs and his students will perform music inspired by Austen’s works.
Whitley Auditorium | 4:30 – 5:30 p.m.

Student Poster Presentation

�þ��� in Professor Megan Isaac’s “Senior English Seminar” and Professor Janet Myers’s “British Women Novelists” courses will present research on the works of Austen and Woolf.
LaRose Student Commons Room 200 | 5:30 – 6:30 p.m.

Lightning Lectures

Three brief lectures by Professor Rosemary Haskell, Assistant Teaching Professor Craig Morehead and Professor Michael Carignan from the Department of History will explore the lives and times of Austen and Woolf.
LaRose Student Commons Room 200 | 6:30 – 7:30 p.m.

Wednesday, Nov. 5

Film Screening: “Mrs. Dalloway”

Enjoy a screening of “Mrs. Dalloway,” based on Woolf’s celebrated novel, with opening remarks by Assistant Professor Dan Burns.
McEwen Screening Room 013 | 8 p.m.

Thursday, Nov. 6

Guest Lecturer on Austen

Inger Brodey, a professor of English and comparative literature at the University of North Carolina at Chapel Hill, will lecture on, “Revisiting Jane Austen’s Happy Endings after 250 Years,” to examine the problematic endings of Austen’s novels, which are conveniently romantically happy, but also contain disturbing implications. Brodey’s book, “Jane Austen and the Price of Happiness” was published in 2024 by John Hopkins University Press.
McBride Gathering Space, Numen Lumen Pavilion | Reception at 6:30 p.m., Lecture at 7 p.m.

She presented the work of the Diocesan Commission for the Defense of Nature (CODIDENA), an organization that advocates for the restoration of the identity and spirituality of the Xinka Indigenous people of Central America while protecting nature against extractivist mega-projects. Lemus talked in detail about the case of the peaceful resistance to the Escobal mining project, and their everyday struggles against the government and the mining corporations.

During the talk, she shared the values of her community to protect the earth and how they recognize themselves as Xinka by recovering their language and their culture. She also expressed the difficult reality faced by her community in rural areas as well as the challenges faced by organizers advocating for the Xinka land rights. The talk explored how they were able to stop the development of the mining project after three years of struggle, based on the Indigenous and Tribal People Convention, an international agreement acknowledged by the International Labour Organization, in which indigenous people must be consulted in case of any project affecting their population. In this case, after consulting with the Xinka people, they decided to reject the mining project given the multiple threats to their health and the environment.

Lemus also showed her grassroots initiative with young scientists in the Xinka community to address water contamination issues provoked by mining operations. This project not only capacitates the new generations, but also advocates for an intergenerational collective growth of the whole Xinka people. As a result of this initiative, community members created a system for measuring the degree of contamination in the water, empowering communities to defend themselves in their fight for environmental justice.

Over 50people attended the event. �þ��� from peace and conflict studies, Latin American studies, as well as from different Spanish courses, the Core Curriculum, and philosophy classes learned about the complexity of current environmental struggles in Guatemala. After the talk, students asked several questions regarding the role of the Guatemalan government in this conflict and the recognition of the Xinka identity, engaging in a very fruitful dialogue about the importance of advocating for indigenous rights and environmental justice in peaceful demonstrations. The conference was conducted in Spanish with interpretation performed by Emily Rhyne from the organization Witness for Peace.

Lemus also participated in a roundtable discussion in Spanish with other human rights activists at El Centro. The roundtable focused on Guatemalan history and cultural diversity, generating a constructive dialogue among students learning about Latin American indigenous identities. The speakers talked about the work of their organizations at the local, national and global level, emphasizing the need to construct strong networks of solidarity. �þ��� from the Spanish program engaged in a vivid conversation during the event, learning about the intercultural richness of Central America and the political relevance of the region in relation with the U.S. government today.

This visit was co-organized by the Peace and Conflict Studies program and the Latin American Studies program, and it was sponsored by the Department of World Languages and Cultures; El Centro; the Center for the Advancement of Teaching and Learning; International and Global Studies; Isabella Cannon Global Education Center; Women’s, Gender, and Sexualities Studies; the Department of Philosophy; and the Department of Sociology and Anthropology.

On Sept. 24-25, 2025, Chen-López’s two-day visit invited students to reflect on their understanding of Latin American identity and migration as he shared his innovative research on the representation of Chinese communities in Latin American literature, cinema, and visual arts, which is a topic that opened new perspectives for students and community members across multiple disciplines.

Chen-López’s keynote address, “Affective Mapping: Tracing the Chinese Diaspora in Latin American Literature, Cinema, and Visual Arts,” examined how Chinese identity and history are portrayed in creative works throughout different Latin American countries: Mexico, Costa Rica, and Argentina. His work traces how emotional responses to Chinatowns and Chinese neighborhoods have evolved over time and explores how the very concepts of “China” and “Chineseness” have shifted in response to changing geopolitical dynamics.

The visit extended far beyond a single lecture. Chen-López engaged directly with students in various courses in the classrooms and in El Centro, including “Human Migrations”, “Medical Spanish”, “Growing Up in the Spanish Speaking World”, “In Search of Identity, Innovation and Social Protest Theater”, and COR1100. He also met with student members from the Latin American Studies program, the Spanish Club, and the Chinese Club during a community breakfast, fostering cross-cultural dialogue.

For many students, the presentations sparked revelations about migration patterns they had never considered. Anette Cruz ’28, reflected on how the experience transformed their perspective

“Previously when thinking about migration to Latin American countries it never really came to my head to think about countries like China,” said Cruz. “When I would think about migration, I would think it was mostly within Latin American regions. But after learning about the impact Chinese migration has had on countries like Mexico, Costa Rica, and Argentina, it really made me think about the significance of it. I was able to see that through symbolism shown to me in Mexican readings, Argentinian movies and Costa Rican paintings, and to me I found that very interesting because again, I feel as if I would have overlooked that if I was presented with it. Overall Chinese diaspora in Latin American countries shown through historical contexts and symbolism in art is something new that I learned today, something that has opened my eyes a little more when talking about migration to Latin American countries.”

Chen-López’s interdisciplinary approach demonstrated how overlooked communities have shaped Latin American culture in profound ways. By examining representations of “China” and “Chineseness” in Latin American art, literature, and film, he sparked a dialogue among students and the broader �þ��� community on the importance of interdisciplinary research and looking beyond dominant narratives to discover the multiple histories of a society.

The Latin American Research Series is presented by Latin American Studies and sponsored by the Department of World Languages and Cultures; Peace and Conflict Studies; El Centro; International and Global Studies; Center for the Advancement of Teaching and Learning; Women, Gender, and Sexuality Studies; Isabella Cannon Global Education Center; the Department of Philosophy; and Global Films and Cultures.

At CAA, Ringelberg presented on trans in-visibility for the session “Visibility and Visuality after ‘the Transgender Tipping Point”‘ and on the urgency of reckoning directly and honestly with the climate emergency in “No Art History on a Dead Planet” for the “Art History and the Apocalypse” session.

In Chicago, a symposium was held by the Wrightwood 659 as part of their opening of the groundbreaking exhibition , curated by Jonathan D. Katz and Johnny Willis. Fifteen art history scholars and curators each addressed a distinct geographic region’s visual and material culture as it represented understanding of gender and sexual identities during that time. Ringelberg was invited to cover the case for queer and trans art and artists in France.

And in June, Ringelberg traveled to Dijon, France, to discuss the work of nineteenth-century French artist Madeleine Lemaire as a botanical illustrator, showing how their floral paintings meld art and science in a way that offers an opportunity to recognize the failure of binary, hierarchical taxonomies to represent the true diversity of plants and humans. Some of Ringelberg’s discussion of plant biology developed from conversations with and materials generously supplied by Carl Niedziela of the Elon Biology Department.

These presentations were made possible through a research residency at the Clark Art Institute in Williamstown, Massachusetts, in spring 2024, and the Elon College, College of Arts and Sciences faculty travel funding.

Thee colorful pieces, on loan to �þ��� for the next four years, celebrate trans and nonbinary individuals through vibrant and affirming portraiture. Truitt Center leaders say the temporary addition of these pieces to the university’s collection underscores a commitment to the recognition and celebration of diverse religious and spiritual identities.

This exhibit was brought to Elon as part of the Truitt Center’s Spirit and Pride initiative, which seeks to highlight and uplift the intersection of LGBTQIA+ identities and spirituality, in partnership with the Gender and LGBTQIA Center and the Center for the Study of Religion, Culture, and Society.

Spirit and Pride Intern Aeiris Faloni believes having these works on campus will make a huge impact.

“Having this art hung in the Numen Lumen Pavilion makes me feel seen, heard, and at home,” Faloni said. “It gives us an opportunity to appreciate queer joy, and spark deeper conversations about gender and sexuality. It encourages those interested to ask questions, and learn more about the intersectionality of religion and queerness.”

“Art has the power to spark conversation, foster empathy, and build a more understanding world,” said Hillary Zaken, director of multifaith programming and engagement, who coordinated the effort to bring the art to Elon. “Our hope is that this art can expand perspectives on religious and spiritual diversity while celebrating those who may not have always been welcome in traditional religious spaces.”

The two portraits that will be displayed at the Numen Lumen Pavilion are:

• Aodhán (48” x 60”): A two-spirit trans man deeply connected to his Scottish and Native American heritage. According to the Truitt Center, Aodhán is a gifted artist and craftsman who hand makes spiritual items for ceremonial use; his portrait captures the rich interweaving of cultural and spiritual traditions that shape his identity and artistic practice.
• Ceraun (48” x 48”): A self-described multimedia artist and philosopher, Ceraun’s creative practice spans video, photography, poetry and performance, all grounded in a deeply spiritual foundation. Their portrait reflects their expansive artistic vision and the way their work serves as a profound exploration of identity and meaning.

“The inclusion of Rae Senarighi’s Transcend portraits in the Numen Lumen Pavilion affirms the sacredness of our identities in their full intersectional expression,” said University Champlain and Dean of Multifaith Engagement Kristin Boswell. “Reflecting Elon’s multifaith values and commitment to inclusion, these works invite reflection on how authenticity and visibility foster belonging and liberation.”

The works will be prominently displayed on the first floor of the Numen Lumen Pavilion for the coming two years. Additional locations across campus are also being considered to ensure these pieces reach a wide audience during the time they are on loan to the University.

The Artist’s Vision: Representation and Connection

Rae Senarighi’s Transcend Series was born out of a profound realization—he had never seen someone who looked like him in a museum portrait gallery. Determined to change that, Senarighi began creating vibrant, large-scale paintings of trans and nonbinary individuals, capturing not just their likeness but their spirit.

“In my experience as a cancer survivor, I have become starkly aware of life’s fragility and its equal preciousness,” said Senarighi. “When I paint, I let go of judgment and cynicism and tap into what I believe is my true essence—my soul.”

This deeply personal approach informs his work, creating portraits that radiate life, dignity and resilience. Senarighi describes his artistic practice as an offering—an opportunity to provide public representation for trans and nonbinary communities, ensuring that people of all identities see themselves reflected in public spaces.

“My hope is that people walk away from viewing these portraits with a shared understanding that trans folks are just people,” he explained. “We have been used as a political tool of division in national politics for many years, and it’s harmful and painful to see happening. I hope that when people look into the faces of my portraits, they see themselves reflected too—that any preconditioned prejudice or ignorance is interrupted and that some softness, empathy, and understanding come through instead.”

Faloni concurs: “As a Spirit and Pride intern, and as an artist myself, being able to celebrate trans artists and display their unique work encourages me to dive into my own personal expression and creativity. I can’t wait to see how these works light up the pavilion and their viewers.”

Representation Matters

For many, seeing these portraits displayed in a public space is a powerful experience.

“It is deeply impactful to see faces and bodies like ours as beautiful and revered,” said Senarighi. “Trans and nonbinary folks deserve to see accurate and celebratory reflections of themselves just as the rest of the world does.”

For Luis H. Garay, director of the Gender and LGBTQIA Center, and one of the campus partners responsible for bringing the art to Elon, this kind of collaboration is critical.

“We are excited to be in collaboration with the Truitt Center to bring Rae Senarighi’s work to the �þ��� community,” said Garay. “This collaboration is important to honor people’s multiple and intersecting identities including gender identity, sexual orientation, and religious/spiritual identity. The artwork is incredibly beautiful and breathtaking. I hope many come out to see the works in person!”

The Truitt Center and the Center for the Study of Religion, Culture, and Society, both housed in the Numen Lumen Pavilion, are committed to ensuring that its space reflects the rich diversity of religious and spiritual experiences.

Expanding the Conversation

As part of ongoing efforts to deepen engagement with these artworks, the Truitt Center is exploring opportunities for programming connected to their themes. Senarighi has generously offered to participate in a virtual artist talk, which is expected to align with Trans Day of Visibility.

Collaborators for this exhibit include the Gender & LGBTQIA Center, the Center for Race, Ethnicity, and Diversity Education, the Art History department and the Women’s, Gender, and Sexuality Studies program.

The SCE promotes scholarly work in Christian ethics that explores its relationship to other ethical traditions while also addressing social, economic, political and cultural issues. The society encourages and improves the �þ��� of these fields in colleges, universities and theological schools. The SCE comprises approximately 800 members.

As president, Peters’ role includes guiding the theme of the society’s next annual meeting.

“Focusing this year’s annual meeting on the topic of ‘Christianity, Politics and Power’ is an opportunity to shape conversations in the field that can help challenge the threat of white Christian nationalism rising across the country,” Peters said. “Being elected to the SCE presidency is a particular honor, as past presidents have historically been colleagues who work at larger institutions �þ��� doctoral students.”

Peters is a well-respected scholar in the field of ethics and justice. She is the author of three books, “Trust Women: A Progressive Christian Argument for Reproductive Justice,” “Solidarity Ethics: Transformation in a Globalized World,” and “In Search of the Good Life: The Ethics of Globalization,” and has co-edited six additional volumes and published more than 25 peer-reviewed publications.

Following the society’s leadership structure, Peters was nominated and elected to the position three years ago. She served as vice president during the first year, president-elect in the second year, and now assumes the role of president. She will continue to contribute to the society as past president in 2026. ​

Among goals during her presidential year are increasing access for non-tenure-track scholars to publish and present through the society and developing a series of book prizes that would celebrate scholarship of Christian ethics written for various audiences.

In addition to �þ��� ethics courses in the Department of Religious Studies at Elon, she leads courses in the Department of Environmental Studies, the Poverty and Social Justice and Women, Gender, and Sexualities Studies programs, as well as for the Honors Fellows.