Calling the biggest fan of “The Joe Murray Show,” 98.5 The Sports Hub’s weeknight program, might be an understatement. The sport management major estimates she tuned in to the Boston-based program nearly 300 times last year. So, when the station offered her an internship this summer, she knew it was the perfect fit.

“It’s just a really well-rounded internship, and that’s what I think is truly going to help me,” the aspiring sports broadcaster said.

While Marchand’s shift at the radio station doesn’t start until 6 p.m., she has her hands full with a wide range of duties the rest of the night. She answers incoming calls from listeners, assists with the station’s YouTube stream and creates graphics for social media. But what excites her the most is the chance to go live on the air.

“That’s probably the biggest opportunity I’ve had,” she said. “It’s really nice that they trust me to go on the radio with thousands of people listening.”

Early in the internship, the show’s producer wrote an entire segment for Marchand, giving her the chance to discuss the New England Patriots on the air. A few weeks later, she was helping the station’s social media team cover one of the most consequential days in Boston sports, following the Celtics’ blockbuster trade of Jaylen Brown to the Philadelphia 76ers.

Those opportunities grew from a connection Marchand had pursued long before the internship began.

Because internships at 98.5 The Sports Hub aren’t publicly posted, Marchand said networking is essential. In fact, when Marchand initially sent Joe Murray a message on LinkedIn during her freshman year, securing an internship wasn’t on her mind.

“Funny enough, he left me on ‘read’ the first time I messaged him,” Marchand said. “A year later, I reached out again and said, ‘Hey, I waited a year. I’d still love to find time to chat. I know you’re really busy.’ The second time, he answered.”

When he finally responded, Murray asked a question that changed everything.

“Do you know Katie Bennert?” he wrote back, referencing the 2024 Elon graduate who both interned and worked at the station. Marchand had never met the Elon alumna, but had heard positive things about her from friends involved with Elon Sports Vision. That shared Elon connection prompted Murray to invite Marchand to tour the studio over Winter Break. That’s when he offered her a spot to join his production team.

“I decided that this would be the best opportunity for me, working at a major market Boston sports radio station, and it’s been amazing,” she said.

While her internship began this summer, Marchand is no stranger to sports broadcasting. During her first two years at Elon, she has contributed to more than 50 Elon Sports Vision broadcasts as a play-by-play announcer, sideline reporter and more. This past year, she became the youngest of three student hosts to call Elon Division I football games on the radio and co-hosted her own sports radio show with Scott Katz ’26. She has also worked more than 90 shifts with Elon Athletics, gaining additional behind-the-scenes experience in game-day operations.

“Being able to have that on my resume at just 19 years old, where a lot of people may not have those opportunities … I think that that’s really what Elon has helped me with,” Marchand said. “I don’t think I would have gotten those opportunities anywhere else.”

At Elon, Marchand has sharpened her on-air delivery and become comfortable working in a studio environment. Now she’s learning how to be more creative producing content centered on sports conversations rather than live competition. She’s also learning to separate her professional responsibilities from her passion as a fan.

Growing up just an hour outside Boston, Marchand has been a fan of the city’s professional sports teams since she was young. In August, she’ll attend Patriots training camp to capture photos and create content for the station.

“You do have to separate being a fan from your professional work, so I can’t fangirl over them when I’m there,” she said. “I have to be professional.”

While Marchand’s own initiative opened the door at 98.5 The Sports Hub, she credits the guidance she received at Elon with helping her walk through it. Assistant Professor of Sport Management Khirey Walker, in particular, played an important role in her internship search.

“He is just one of the most passionate, hardworking, selfless and kind people that I know at Elon,” she said. “He will literally drop anything to help any of his students.”

This fall, Marchand will continue her journey through The Sport Experience in Charlotte, where she’ll live, intern and study while expanding her experience in one of the nation’s fastest-growing sports business markets.

As thousands of soccer fans streamed toward San Francisco Bay Area Stadium in Santa Clara, California, draped in national flags and chanting hours before kickoff, the energy was palpable.

Swiss fans dressed as cows rang cowbells, Australian fans carried enormous inflatable kangaroos, and Jordanian supporters congregated early outside the gates, waving oversized flags and singing in unison. Together, they created the spectacle that makes the FIFA World Cup unlike any other sporting event.

For , those moments were part of her daily routine during the tournament’s opening stages.

As a ticketing operations manager for FIFA, the �þ��� graduate spent several months helping fans enjoy the FIFA World Cup. While much of her work happened behind the scenes, Cirby handled everything from validating each seat in the stadium and accessible seating requests to one of the tournament’s toughest challenges: helping fans who unknowingly purchased counterfeit tickets.

“The more games have been played, the more variations of fake tickets have come out,” she explained.

While resolving ticket issues is part of the job, it represents only a fraction of Cirby’s experience. For all six Bay Area matches – including Team USA’s Round of 32 win – she served as the stadium ticketing manager and welcomed more than 410,000 fans to the region she grew up in.

“It’s the World Cup,” she said. “It’s once in a lifetime to be able to be part of an event like this.”

Cirby joined FIFA in January after nearly six years with the San Francisco Giants, where she built a career in ticket operations and services with her hometown team. But the opportunity to work the World Cup was one she couldn’t pass up.

“I was just kind of looking for jobs casually, just to see what was out there, and I threw in an application – and then it worked out,” Cirby said.

Her responsibilities have stretched far beyond match days. Cirby helped hire local stadium staff, prepare cross-functional training for various departments, and ensure FIFA’s ticketing spaces were ready before fans arrived. Once matches began, she moved between entrances and ticket offices, supporting staff and assisting fans whose tickets would not scan, who needed accessible seating accommodations, or who could not locate their tickets.

The role also gave Cirby a front-row view of the tournament’s global fan culture.

“It’s mesmerizing to see these fans and the passion that they have,” Cirby said. “I don’t get to see the full fan marches, but I get to see them arrive at our entrance and go through our turnstiles, and they’re still chanting and cheering.”

Cirby’s path to FIFA began at Elon, majoring in sport management. She fondly remembers attending MLB’s Winter Meetings with her classmates, where she placed resumes in the mailboxes of organizations with job openings.

“I probably put 20 to 30 resumes in and got a couple of interviews, but that’s how I got my first job with the Atlanta Braves right out of college,” Cirby said.

That first role with the Braves eventually led to opportunities with the Giants and, ultimately, FIFA. Looking back, Cirby encourages students interested in the sport industry to cast a wide net.

“Honestly, just apply,” Cirby said. “Putting yourself out there and applying can make a real difference.”

Her World Cup assignment also demanded resolution. For nearly two months, Cirby was based at a hotel in Santa Clara with other FIFA staff because of the long hours and the proximity to the stadium. The work has been especially demanding because Cirby has been doing it with a torn ACL, an injury she sustained this spring playing in a rec league kickball game. After consulting with doctors, she decided to postpone surgery until after the tournament.

“It’s really funny to be like, ‘Not only am I working the World Cup, but I’m walking like 25,000 steps a day on a torn ACL,’” Cirby laughed.

With surgery scheduled for late August, Cirby is looking forward to a well-earned break – and where her career will take her next. But this experience has reaffirmed why she chose a career in sports.

“I grew up playing soccer through high school, and I’ve continued to be a big fan,” Cirby said. “Seeing supporters from so many different countries bring that passion to every match has been the best part of the job.”

In fact, he spent much of his college search focused on a different path. But after encouragement from an aunt who worked in higher education, Cooper visited Elon and quickly realized he had discovered something he hadn’t expected.

“It was far greater than what I wanted,” Cooper said. “I thought I knew what was best for me, but Elon introduced me to possibilities that were completely outside my scope of understanding.”

More than two decades later, that willingness to embrace the unexpected has taken Cooper around the world. The broadcast communications graduate has built a career as a vocal coach, creative strategist and entrepreneur, working alongside artists such as Beyoncé, Usher, Nicki Minaj, Jon Batiste and Kehlani. Today, he coaches performers on Broadway productions around the globe, advises international entertainment companies and leads several ventures focused on artist development and creative strategy.

Yet Cooper believes the foundation for that success began in the classrooms of Elon.

As a broadcast communications major with minors in business and Japanese, Cooper immersed himself in disciplines that challenged him to think differently. He originally planned to move to Japan after graduation, becoming fluent in the language and preparing for an international �þ��� opportunity. Although those plans never surfaced, the experience shaped the way he approached the world.

“Language gave me the confidence to speak to anyone from any culture,” Cooper said. “Business taught me how to navigate opportunities and communications taught me how to articulate my thoughts. Those three things changed my life.”

Cooper often found himself as the only African American student in many of his classes. Rather than seeing that as a limitation, he credits professors with pushing him to develop his voice and perspective.

“They would ask me, ‘Nick, what’s your perspective?'” he said. “What they didn’t know was they were helping me build resilience and �þ��� me how to articulate who I was.”

Those conversations became some of the most important lessons of his college experience.

“It wasn’t about what I knew,” Cooper said. “It was about learning how to communicate with people who didn’t necessarily think like me.”

Outside the classroom, Elon’s emphasis on hands-on learning provided opportunities to put those skills into practice. Cooper hosted programming on ESTV and explored interests in media, performance and leadership while developing the communication skills that would later become central to his career.

“Elon gave me an agnostic toolbox,” Cooper said. “It prepared me to go into any room and communicate effectively. More importantly, it taught me how to write. There’s nothing I can’t write.”

After graduation, Cooper entered the entertainment industry, initially pursuing opportunities as a performer and creative professional. Over time, he discovered a talent for helping artists unlock their potential, leading him into vocal coaching and artist development.

His client list eventually grew to include some of the biggest names in music and entertainment. However, Cooper said his defining career moment had nothing to do with celebrities.

“The breakthrough wasn’t working with famous people,” he said. “The breakthrough was looking in the mirror and knowing who I was.”

That lesson became especially important when he was first asked to work with Beyoncé. Before the session, Cooper was warned that she would quickly decide whether he was the right fit. Instead of feeling intimidated, he focused on what he could offer.

“She didn’t show up for me to cower in front of her,” Cooper said. “She showed up because I had something that could help her.”

That mindset has guided his career ever since.

Whether coaching Grammy-winning artists, mentoring Broadway performers or advising global entertainment organizations, Cooper approaches every relationship the same way: helping people discover what they are capable of becoming.

Among those he has worked closely with is Grammy and Academy Award-winning musician Jon Batiste. Cooper describes their relationship as one built not only on music, but on personal growth and purpose.

“It starts as music,” Cooper said. “Then it becomes a lesson in life, a lesson in business and eventually a friendship.”

Today, Cooper continues expanding that philosophy through multiple ventures, including Creative Village, a mentorship and development platform designed to provide emerging artists with access to the same guidance and resources often reserved for industry insiders.

“I wanted to create opportunities for people who wouldn’t normally have access to them,” Cooper said. “My goal is to help people maximize their potential while they’re alive.”

As he reflects on his journey, Cooper sees a direct connection between the uncertainty he experienced as a student and the success he enjoys today.

“There were many times at Elon when I didn’t know what was next,” he said. “But that uncertainty forced me to develop curiosity.”

For Cooper, curiosity remains one of the most valuable traits a person can cultivate.

“When I look back at Elon, it created the framework for my success,” he said. “More importantly, it created the curiosity that still drives everything I do.”

For current students hoping to build careers of their own, Cooper offers simple advice: don’t wait for someone else to validate your potential.

“Don’t wait for the world to say yes to what you can say yes to first,” he said.

Los Angeles has been serving as one of the key U.S. locations for the FIFA World Cup 2026; Skladan’s work responsibilities have brought her to LA for the duration of the games this summer.

�þ��� and alumni guests had the opportunity to learn about her impressive career in sports so far and her journeyposition to her current . “It is wonderful to be back at Elon LA’s home base at The Preserve, in the same space where my classes were held and from where I began the journey to launch my post-graduation professional career,” Skladan told the gathered group.

Each semester, �þ��� Los Angeles brings together alumni and students for conversations that benefit emerging young professionals in a wide variety of career fields. The program offers an exciting, immersive and robust spring semester and summer program experience in the heart of historic Hollywood through Elon’s �����Ի� National �þ��� Programs. Applications are now being accepted for the spring 2027 semester.

Although she was initially drawn to acting, she came to understand that a fulfilling career doesn’t have to follow a single path.

“I intentionally explored different paths to discover where my skills could have the greatest impact. My journey has included talent management, radio, entertainment journalism, event production, casting and acting,” said Austin.

In a way, Elon found her. Alumnus Royall Spence ’42 (for whom Spence Pavilion is named) was a beloved member of Austin’s extended family and is the real reason she looked into the school.

“He always spoke so fondly of his experience at Elon and that was why it was one of the first schools I seriously considered,” she said.

The Raleigh native pictured herself at a smaller university where she could get to know her classmates and feel connected. She explained. “When I visited Elon, it just felt right. It had the close-knit community I was looking for, along with strong academics and opportunities to get involved from day one.”

She was torn between two passions, communications and theatre, but Elon had strong programs for both. After touring the facilities and speaking with faculty, she knew Elon was the place for her.

As a student, Austin majored in media arts and entertainment with a focus on broadcast journalism, and she minored in theatre arts. Outside of the classroom, she hosted a radio show on WSOE 89.3, Elon’s student-run radio station. She also hosted two television shows and participated in Elon in LA, studied abroad in London and immersed herself in other opportunities that allowed her to tell stories and connect with people.

“One of my favorite parts of WSOE was finding and booking guests to interview. I’d track people down on Facebook and through other creative channels, and more often than not, they were happy to help a student journalist,” she said.

One opportunity at Elon that greatly impacted Austin’s career was her experience with Elon in LA. She credits this program with introducing her to new places, perspectives, and for giving her the confidence to pursue an entertainment career.

“During the program, I interned with a talent management company representing film and television actors. Through that experience, I visited production sets, attended industry meetings and got a firsthand look at how Hollywood operates. For someone who had dreamed about working in entertainment since childhood, it was eye-opening,” said Austin.

Following graduation, she moved to Los Angeles almost immediately to build her career.

“Like many young people pursuing creative industries, I took a variety of jobs while figuring out where I fit best. Each experience taught me something valuable and ultimately helped shape the career I’ve built,” she explained.

She started her career working behind the scenes at press junkets for major studio films and eventually transitioned from helping reporters to becoming one herself. Later, she joined the Academy of Motion Picture Arts and Sciences, the organization behind the Oscars. There she worked on screenings, events and public programming, and she attended Academy Award ceremonies.

In 2020, she returned to the Southeast to be closer to family and to pursue opportunities in the region’s rapidly growing entertainment industry.

“I joined Fincannon & Associates Casting, where I worked on projects including ‘Outer Banks’, ‘The Summer I Turned Pretty’, ‘The Righteous Gemstones’, ‘The Walking Dead’ and other major productions filming throughout the Southeast,” said Austin.

One of her favorite memories from her work was her first major press junket interview with Will Ferrell and Mark Wahlberg.

“During the introduction, the production assistant announced me as ‘Jenny Austin from CBS Sacramento,’ and Will Ferrell immediately joked, ‘Jenny Sacramento from Austin.’ It instantly broke the ice and put my nerves at ease. Moments like that reminded me that even some of the biggest stars in the world are often just people having fun,” Austin said.

She’s also interviewed other big-name celebrities, like Zoe Saldana, Kate Hudson, Jason Sudeikis, Kevin Costner, Octavia Spencer, Chris Evans and Shay Mitchell.

Most recently, she took on a new endeavor, launching an interview platform highlighting entertainment professionals in the Southeast alongside her friend and former Fincannon & Associates colleague, Kimberly Wistedt. They’ve titled the platform . While it’s still a new project and they’ve already landed some big interviews with celebrities, such as rapper T.I., they are hopeful for what the future holds.

Austin speaks fondly of the variety of work she’s been able to do, but she says that the most rewarding part of her journey has been the relationships she has made. Some of her closest friends today are people she met at Elon, and professionally, relationships have been equally important to her growth.

“Nearly every major opportunity I’ve had, from entertainment reporting and casting to launching The Peach Tea, has come through connections, mentorships and friendships developed over time,” she explained.

She credits Elon’s experiential learning opportunities for giving her the practical experience, confidence and willingness to take risks and build these relationships.

“Elon in LA was the first time I realized that all of these jobs I’d dreamed about were held by real people, and that maybe one day I could be one of them,” she said.

It also gave her the confidence she needed to go after her dreams. The challenge, she said, was “realizing that I didn’t have to fit into one neat box. I could be an actress, a reporter, a casting professional, a filmmaker and an entrepreneur all at the same time. Once I stopped trying to force myself into a single lane, my career started making a lot more sense. Sometimes your path only makes sense when you look back and connect the dots.”

Austin encourages Elon students to find what makes them happy and pursue it wholeheartedly, and to pay attention to the people who light up when good things happen for you, saying that these are the relationships that are most special.

“That’s what I love most about Elon. It encourages students to explore broadly, take chances and embrace experiences that may not seem connected at the time,” she said. “Looking back, those experiences ended up creating my story. My career hasn’t followed a straight line, but every experience has led to the next, and I wouldn’t have it any other way.”

From production, post-production, content creation, producing, writing, directing and performing, the panel offered a wide range of information to students of diverse majors who are in Los Angeles this summer for a unique core capstone course, experiential learning, alumni engagement and community service.

Zaman, who works at the post-production house Picture Shop, shared the excitement of being in the middle of the artistry of post-production. Among Picture Shop’s most recent projects was providing color correction work on Steven Spielberg’s current film “Disclosure Day.” She is also a first-time site supervisor, mentoring summer student Hammond Sherouse at a first-time Elon Los Angeles Picture Shop internship.

Campisano, who served as a selection committee member for the first �þ��� Los Angeles Alumni Short Film Grant Competition last fall, spoke about the wide range of professional creative opportunities that await students who return to Los Angeles after graduation. Campisano is an award-winning filmmaker who often turns to the Elon Los Angeles alumni community when staffing and casting projects.

Kestlinger is a Physical Production Manager for television and feature films at SK Global Entertainment. Seawright, an actor, model, and entertainment and brand marketing specialist, currently performs at Disneyland Resort.

�þ��� Los Angeles offers an exciting, immersive spring semester and summer program experience in the heart of historic Hollywood through Elon’s and National �þ��� Programs. Applications are now being accepted for the spring 2027 semester.

Danielle Martinelli-Taylor ’12 has built her career around helping people move through pain toward healing. As the founder of Animo Counseling and Coaching in Denver, Colorado, she works with clients through a holistic mind-body approach to mental health, including somatic boxing therapy. In the latest episode of “Elon Beyond the Bricks,” President Connie Ledoux Book sits down with Martinelli-Taylor to explore the experiences that led her to a career in trauma counseling.

A graduate of Elon’s School of Communications, Martinelli-Taylor majored in strategic communications and minored in religious studies before her career turned toward mental health care. That shift began with moments she did not fully recognize at the time, including an Elon class on human trafficking that opened her eyes to the reality of trauma and stayed with her long after graduation.

“I think like a lot of things, there were moments, but I hadn’t added them up yet,” she said.

After graduation, Martinelli-Taylor’s path moved through customer service at Wayfair, nonprofit work in London and continued reflection on the kind of work that felt meaningful. Each step helped her better understand what she was drawn to, what she needed to move away from and how service could become a throughline in her life and career.

That search eventually led her to counseling, where she began working with clients who had experienced trauma. She noticed that talk therapy alone was not always the right entry point, especially when asking clients to revisit painful stories could bring them back into that experience. From there, she began developing a new approach.

“What can we do that still heals or helps the body get rid of this distress, this intensity, this pain, but not necessarily just… talking about it?” she said.

Somatic boxing therapy grew from that question and from Martinelli-Taylor’s own experience using boxing to process the emotional weight of counseling work. Over time, she began incorporating pads and bilateral movement into sessions, helping clients reconnect with strength, courage and a sense of agency.

“Find your strength, find your resilience find that courage,” she said.

While her work now sits in the mental health field, Martinelli-Taylor still sees clear connections to her Elon education. Her communications background has helped her explain a new therapeutic model, build a practice and share her work with clients and other professionals.

“I’m glad I had a marketing background. I’m glad I had a little bit of a PR background because so much, even though it’s counseling and mental health, it’s a lot of business,” she said.

Martinelli-Taylor’s story was featured in the 2025 President’s Report because of the meaningful impact she is creating through service to others. For Elon students and young alumni still trying to find direction, she encouraged patience and forward motion, even when the larger path is unclear.

“Just take one step,” she said. “Don’t try to figure it all out right now.”

Toward the end of the conversation, Martinelli-Taylor shared a quote from Frederick Buechner that has helped frame her own sense of calling:

“Maybe the place you’re called is where your deep gladness and the world’s deep hunger meet,” she said.

“For Martinelli-Taylor, that place has become the space where service, counseling and embodied healing meet. Her story is a reminder that purpose is often formed through the moments that stay with us and the courage to follow them into work that helps others heal.

Learn more about the podcast and listen to the episode here.

Learn more about the 2025 President’s Report and read it here.

The “Elon Dance Team Send-Off” video, directed and edited by Peter Sillitto ’26 and produced in collaboration with the Elon Dance Team, received a Sports Video Group (SVG) College Sports Media Award for Outstanding In-Venue Video – Collegiate Student Championship. The award was presented May 27 in Atlanta during the 18th annual SVG College Sports Media Awards ceremony.

The honor came just weeks after the Elon Dance Team captured two national titles at the 2026 National Dance Association College National Championships, winning the Division I pom and Division I hip hop competitions. The back-to-back victories marked a historic achievement for the program, including Elon’s first national championship in the pom category.

Produced for the team’s trip to nationals, the video took a more narrative approach than previous send-off productions.

“Producing a send-off video is something we do every year, with the final piece being shown in the Schar Center and shared across social media,” said Sillitto, a cinema and television arts major. “This year, we wanted to take a more story-driven approach by focusing on the team’s journey to nationals. Our goal was to showcase not only their performances, but also the hard work, dedication and experiences that led them there.”

In addition to Sillitto, the student production team included Kristen Pearson ’27 and Meghan McGarrigle ’28 as producers; and Zack Golub ’26 and Colin Dorroh ’27 as creative producers and camera operators.

across multiple locations, capturing both cinematic visuals and authentic moments from practices, workouts and team activities.

“One of the biggest challenges was making sure we told the team’s real story, which meant being present and ready to film during genuine moments,” Sillitto said. “Capturing those authentic interactions and experiences was an important part of the creative process and helped make the final video feel more personal and meaningful.”

For Sillitto, the award reflects months of collaboration and effort from both the dancers and the production crew.

“I’m proud of the project because every year our goal is to create the best video possible, and we have a lot of creative freedom to experiment with new ideas and push ourselves creatively,” he said. “The final video represents months of hard work from both the dance team and the production crew, so we’re excited and grateful that the project has been recognized.”

Sillitto graduated from Elon in May and recently accepted a position with Booz Allen Hamilton as a videographer and social media content creator.

Sillitto and Dorroh attended the 2026 SVG College Summit in Atlanta alongside Anthony Bamford ’25, coordinating producer for Elon Sports Vision; Patrick Cunningham, director of live broadcast production for Elon Athletics; and students/recent graduates Philip Doherty ’26, Anthony Eppolito ’27 and Joey Marinello ’28.

This year marked another strong showing for Elon at the national competition – the university won its first-ever award in 2025. In addition to the winning Elon Dance Team send-off video, four other Elon productions were recognized as finalists in the Collegiate Student Championship division: “Football: Elon vs. North Carolina A&T,” “Strength Beyond the Game – Brodie Carroll,” “Win The Moment – Asher Cunningham” and “What It Takes – Elon Men’s Basketball Halftime Hype.”

“I was in this place of, ‘Oh my God, what am I going to do?'” she said.

She remembers a moment of doubt during her final year when Professor Emeritus Rich Landesberg provided the “tough love” she needed to move forward.

“He kept saying, ‘Just pick. You’re going to be fine. No matter what, you’re going to land on your feet.’ I really needed that at the time,” Polk said.

That foundation was built primarily within the School of Communications, where Polk, a broadcast communications major, found a safe space to test her leadership skills. She points to a producing class taught by Assistant Professor Ray Johnson as a key turning point where the details of the profession finally clicked. Johnson tasked her with being the executive producer for the class, a role that involved managing her peers and overseeing a project from concept to delivery.

“It was so much work, but I loved it,” she said. “You just realize how many people are leaning on you.”

She credits Johnson’s ability to “put on a show” in the classroom as a major inspiration for her own leadership style, �þ��� her that engagement and enthusiasm are just as important as technical skills.

“He was so good at his job… I think about him often,” she said.

Upon graduation, Polk’s preparation was put to the test when she was accepted into the prestigious NBC Page Program in New York City. Moving from the college environment of Elon to the fast-paced world of NBC required a quick adjustment. She rotated through high-stakes assignments, including “The Today Show,” the US Open, and Syfy publicity, a journey that required her to adapt to a more rigorous schedule, one that demanded the fundamental discipline of the network.

“I used to be a very late person,” she admitted. “But I got it out of my system because of the Page Program. Elon prepared me for the presence, how to present yourself well and dress the part, but the Page Program taught me the discipline.”

Her trajectory eventually led her to Los Angeles and the Hallmark Channel for 12 years, where she rose to the position of vice president of development and programming. In this role, she oversaw the production of up to 30 projects annually, yet she never lost sight of the “human-centric” focus she cultivated at Elon. Polk made it a priority to increase diversity and inclusion within the network’s programming, working to amplify diverse voices to ensure that Hallmark’s signature films reflected a broader range of the human experience. She describes herself as a kindness-first connector, a philosophy that has allowed her to attract top-tier talent and build lasting relationships with writers and agents across the industry.

Now, as she leads Simply Believe Creative, Polk is focused on catalyzing original romantic comedies and holiday films for the modern streaming market. Even from her home in California, she remains deeply connected to the campus where her journey began. She notes with a smile that she still sees familiar faces in the Elon news, including former classmates who have returned to the university in leadership roles.

Her advice to the next generation of Phoenix is a reflection of her own resilient path.

“Go after the things that scare you and push right through the fear to do them anyway,” she said.

“Take on as many projects as you can, but do them to the absolute best of your ability. Stay curious… the yeses always come,” she said.

Do you know an alum who has an interesting story to tell? Please feel free to share your feedback or those stories online:

Doug Williams ’13 has a specific rule about writing news copy: You can only use the phrase “only time will tell” if your story is about clocks. It’s a piece of advice he received from Professor Emeritus Richard Landesberg, and he uses it subconsciously every morning behind the anchor desk for CBS New York.

Whether he is recapping a local strike or reporting from a war zone, those lessons from his professors remain the backbone of his daily scripts.

“I realistically use those �þ���s with every single script I write,” Williams said. “Everything is copy. Everyone has a story.”

Anthony Hatcher, professor of journalism and chair of the Journalism Department, vividly remembers that drive.

“Several things stood out about Doug when he was my student,” Hatcher said. “He was naturally curious and asked good questions. He was also smart and a go-getter. When he was assigned stories in my Media Writing class, he had an instinct for finding people… and getting good quotes.”

For many, the Jane and Brian Williams Studio in McEwen is a landmark of the university’s state-of-the-art facilities. For Doug, it is a reminder of why his parents “bought into” the Elon experience. Though neither attended the university, they were impressed by the real-world training Doug received as a broadcast journalism major. They were blown away that he was already writing, shooting and editing as an �þ���.

“I think the ‘legacy’ was made possible by the professors I learned from and the education I left with,” Williams said. “It was a way for my parents to express their gratitude for that, while paying it forward”.

Hatcher notes that Williams’ composure was evident even during a study abroad trip.

“He has a calm demeanor that sets other people at ease,” Hatcher said. “When he traveled with me on a Winter Term study abroad, I never worried about him getting left behind. He absorbed the material quickly and made the most of his time.”

Initially, Williams believed his future was set in stone; in a 2017 interview, he intending to stick strictly to sports. However, after seven years at SNY, a period he describes as “magic,” he began to feel the risk of becoming too comfortable.

Following the advice of his mentor and former boss, Curt Gowdy Jr., Williams decided to diversify his skillset. The transition was a “humbling leap” that didn’t immediately lead to a new desk. Williams spent a year navigating the “crickets” of the job market, an experience that forced him to build his networking muscle from scratch.

During this time, he embraced an entrepreneurial spirit, taking overnight shifts and freelancing for MLB Network Radio, CBS Sports Radio and WFAN. He credits these grueling live radio sessions with making his current TV ad-libbing feel easy by comparison.

Since starting at CBS New York in January 2023, Williams has found a new sense of purpose in local journalism. While he traded clubhouse interviews for the unpredictable world of breaking news, the move was put to its highest test in late 2023 when he spent . This assignment remains his most challenging to date, leaving him with a profound perspective on his own luck and a professional hope to be called for such vital reporting again.

Today, the “magic” of his career has evolved from the baseball diamond to the grit of the morning news cycle. He now reports on high-stakes human interest stories, from the to sensitive criminal investigations.

“The job shatters the walls of your comfort zone every day,” Williams said, noting that the lack of routine is exactly what he now loves about the role.

Professor Hatcher, a print journalist by trade, isn’t surprised by Doug’s success in the transition.

“I stress accuracy, context, fairness, self-editing, and completeness… I’m not surprised Doug puts those qualities into practice as he writes news copy, primarily because he’s a consummate professional.”

While his professional excellence is expected, Williams continues to surprise the industry through his dedication to his alma mater. Hatcher emphasizes that Williams’ willingness to mentor current students and network with majors has a “huge impact on elevating the Journalism Department.”

Throughout his rise in the New York market, Williams has navigated the unique pressure that comes with a famous last name. It was a challenge his parents prepared him for early on, advising him that he would often have to “destroy assumptions” people might have about his path.

“People will assume you’re going to be a certain type of person before they meet you,” Williams said, echoing his parents’ guidance. “It’s up to you to surprise them.”

While he credits his family for that foundation, Doug has made that mission his own, focusing on his unique craft to ensure his work, not his name, defines his reputation in the newsroom.

Now a father to a one-year-old son, Williams’ current advice to students is focused on balance. He warns that while fun doesn’t disappear after graduation, it stops happening by accident.

“Fun is now something I have to put on my calendar,” he said.

Do you know an alum who has an interesting story to tell, maybe even yourself? Please feel free to share your feedback or those stories online: elon.edu/u/advancement/alumni-in-action-feedback/.